clearvoice TEST for rc 2.21 – Artist Installed Seesaws at the U.S.-Mexico Border So Kids From Both Sides Could Play Together And It’s Absolutely Beautiful
Lately, when you think of the U.S-Mexico border, you think of the children being kept in cages, of migrant folks being kept in unthinkable conditions in detention prisons, and you think of the possible construction of Donald Trump’s beloved wall–among other negative connotations that the border brings. Then there are times when heartwarming images and scenes from the border show that despite the weaponization of the border, we’re still connected to one another in many ways.
Architect and artist Ronald Rael designed and installed pink seesaws at the border for children from the United States and Mexico to play together.
The art installation, “Teeter-Totter Wall,” was created by Rael, an architecture professor at the University of California, Berkeley, and Virginia San Fratello, an associate professor of design at San Jose State University.
The custom-built seesaws were placed on both sides of the steel border fence that separates the U.S. and Mexico. The artist called it “one of the most incredible experiences of his career” in a post he shared on Instagram.
About a decade ago, both Rael and San Fratello had designed the concept for the seesaw at the border for a book titled “Borderwall as Architecture.” Now, the drawings became a reality.
Despite the negative headlines that dominate the news cycle every day, it’s refreshing to see artists like Ronald Rael use their platform and creativity to spark positivity and strengthen our sense of community.
“The wall became a literal fulcrum for U.S.-Mexico relations and children and adults were connected in meaningful ways on both sides with the recognition that the actions that take place on one side have a direct consequence on the other side,” Rael wrote in his Instagram caption. Rael also gave a shoutout to the team who helped make this powerful art installation a reality in Cuidad Juárez, Mexico.
CNN also points out that the New Mexico town is also where a militia detained migrants in April (the ACLU called it a kidnapping), and where a private group began building its own border wall with the use of millions donated to a GoFundMe campaign.
Last week, the Supreme Court also gave Trump a victory in his fight for the construction of a wall along the border. Further, the Supreme Court allowed the administration to use $2.5 billion in military funds for it.
Despite all of the negative news surrounding the border, it was a different scene there on Monday near the Sunland Park stretch. Instead, it showed a heartwarming and lighter scene compared to what we’ve recently seen.
The art installation that this artist created is also meant to serve as a reminder. A reminder that “we are connected” and “what happens on one side impacts the other.”
The pink seesaws showed people from both sides of the border coming together in a unifying act. Children and adults alike on U.S soil were recorded playing with children from the other side. These light-hearted scenes from the border make one for if only a second forget the actual reality of it all.
RAICES, a non-profit focusing on immigration legal services in Texas, shared on Twitter that “Art is such a powerful vehicle for change”
In the past, other scenes of art installations at the border have made rounds. For example, The Guardian notes the time when an architectural practice in Mexico designed a pink interpretation of Trump’s border wall.
Claudia Tristán, the Director of Latinx Messaging for 2020 Democratic presidential candidate Beto O’Rourke also praised the art installation for the message it spread.
“The symbolism of the seesaw is just magical,” she wrote in a tweet. “A #Border fence will not keep us from our neighbors.”
The video of architect and artist Ronald Rael that’s also making rounds on social media shows him saying that the seesaw that there are still “good relations the people of Mexico and the United States.” Therefore, the seesaw can portray that we are “equal” and the wall, he says, cuts those relationships between us.
Ultimately, it is important to remember that with or without the U.S.-Mexico border, much of this land belonged to and will always belong to Native Americans.
We need to remember that the homelands of tribes including the Kumeyaay, Pai, Cocopah, O’odham, Yaqui, Apache and Kickapoo peoples were all split into two by the 1848 Treaty of Guadalupe Hidalgo and the 1853 Gadsen Purchase–which is what makes up modern-day California, Arizona, New Mexico, and Texas.
So while it is important to highlight the positive and humanizing images on the U.S.-Mexico border when we can, we should also be mindful of the indigenous communities to which this land belongs to.